Textingby The Invisible Man Fix
What should I text her?

How Long Should Texts Be? Match Hers, Say One Thing Well, and the Two Times a Long One Is Right

Men send walls when they are keen and single words when they are nervous, and both read wrong. The matching rule, the one-thing rule, the two times a long message is right, and what too long and too short look like.

Updated 5 min read
The short answer

Texts should be roughly as long as hers, and each should say one thing well. If she sends two lines, two lines with something in them; if she sends a paragraph, a reply that answers the point rather than every sentence.

Too long reads as effort she did not ask for (the wall after her one line); too short reads as effort you did not make (the single word after her paragraph).

The two times a long message is right: when she sent one and it deserves a real reply, and when you are telling a story that needs the room, once.

Everything else is two or three lines with a reaction, a detail or a question in it.

On this page
  1. Too long, too short, or right
  2. How long this reply should be
  3. The wall, the word, and the match
  4. Messages at the right length
  5. The length mistakes
  6. Match her length, say one thing well, and let the content carry it
  7. Questions

Too long, too short, or right

  • Too long:

    your messages are consistently longer than hers; you answer every sentence of hers in order; you send three messages where one would do. Needy texting often looks like this.

  • Too short: “haha,” “nice,” “yeah” to anything with content in it. Dry texts and one-word replies from your side.
  • Right: about her length, one thing per message, and something she can respond to in each.
  • The check: scroll up and look only at your side. Are your bubbles bigger than hers, smaller, or about the same?
  • Her side: if she sends paragraphs, how to respond to a long text has the reply that matches care rather than length.

How long this reply should be

  • She sent one line: one or two lines back, with something in them. Not a wall.
  • She sent a paragraph about her day: three or four lines that answer the point, name the feeling, and add something of yours. Not every sentence.
  • She asked a question: answer it in a line, add a detail, hand it back.
  • You have a story to tell: tell it in one message, with the room it needs, once, and then go back to short.
  • You are about to send three messages in a row: send one, with the best of the three in it. Matching her energy has the rhythm.
  • You cannot decide: shorter, with one specific thing in it. Short and specific beats long and general every time.

The wall, the word, and the match

WeakThe wall after one line
Her: just got home, long day
You: Oh no, sorry to hear that! What happened? I hope it wasn’t anything too stressful. My day was pretty busy too actually, I had three meetings back to back and then the trains were a nightmare
You: I ended up standing the whole way home. Anyway I hope you can relax now, do you have anything nice planned for the evening? Maybe a bath or something?
Her: haha not really, just tv

One line from her, nine from him, with his whole day inside it and three questions. The wall asks her to climb it.

“Just tv” is her declining to match a message that did not match hers.

BetterThe match
Her: just got home, long day
You: Long days deserve a short message: I’m sorry, and tell me the worst bit so I can be outraged on your behalf
Her: my manager scheduled a meeting at 5.30 on a friday
You: That is a crime. Outraged. Put the kettle on and tell me nothing else happens tonight
Her: nothing else is happening tonight. thank you

Her length, one thing per message, a reaction and a prompt. She told him the worst bit because he made it easy to.

Messages at the right length

You: Long day deserves a short message: sorry, and what was the worst bit?

Why it works: Matching her one line with one line and a prompt gives her something to answer without a wall to climb.

InvestmentTo a paragraph
You: Three cancellations in a year is a pattern, not bad luck. The “I didn’t even argue” part is the bit that would stay with me too. You shouldn’t have had to

Why it works: Three lines that answer the point and name the feeling match the care of a paragraph without matching its length.

CuriosityTo a question
You: Spin class, against my will. My legs have filed a complaint. What did you do that was less stupid?

Why it works: Answer in a line, add a detail, hand it back; the shape that fits almost every question.

Emotional movementThe one long message, when it is a story
You: Ok, this needs the room: (one message, the whole story, with the laugh at the end)

Why it works: A story told once in a single message is the right use of length; the key is once, and then back to short.

ProgressionShort with a plan
You: Thursday, seven, the place by the river. That’s the whole message

Why it works: The shortest messages are often the ones that move things most.

The length mistakes

  • Answering every sentence. A paragraph from her is not a form to fill in. Answer the point.
  • The three-message burst for one thought. One message.
  • The single word to anything with content. “Nice” is not a reply.
  • Matching length instead of care. A long reply to a long message is fine when it has that much to say; padded to match is visible.
  • The wall when you are keen. Enthusiasm shows better in one specific line than in nine.
  • The short reply when you are nervous. Nerves make men terse, and terse reads as uninterested. Texting for shy guys has the fix.

Match her length, say one thing well, and let the content carry it

The principle: Investment

Length is read as effort, and the right amount of effort is roughly hers.

Too much is pressure, too little is indifference, and the right amount is a message about her size that says one thing with a reaction, a detail or a question in it.

The two exceptions (a real reply to a real paragraph, and a story told once) are the only times a long message is the better one.

Matching her energy is the general rule, and length is the easiest part of it to see.

Go deeper: Investment: How to Tell (and Build) Whether She’s in the Conversation

What Should I Reply? A Free Helper for the Text You’re Staring At. Paste her message. Get three directions, the reason each one works, and the mistake to avoid. Nothing you type leaves your phone.

Try it free

Questions

How long should my texts to a girl be?

About as long as hers, with one thing said well in each: a reaction, a detail or a question. Two or three lines covers most messages.

A longer one is right when she sent a paragraph that deserves a real reply, or when you are telling a story that needs the room, once.

Is it bad to send long texts to a girl?

It is bad when they are longer than hers, when they answer every sentence of hers in order, or when they arrive in bursts of three. A long reply to a long message is fine.

A wall after her one line reads as effort she did not ask for.

Are short texts a turn-off?

Short and empty is: “haha,” “nice,” “yeah.” Short and specific is not; “Long day deserves a short message: sorry, and what was the worst bit?” is short and alive. The problem is never the length on its own; it is whether the message has something in it.

What if she sends really long texts?

Read for the point, answer it, name the feeling, quote one line, and add something of yours, in three or four lines. How to respond to a long text has the full method. Matching her word count is not the goal; matching her care is.

Left on ReadThe Texting Playbook